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The distance from C to G, for example is called a “perfect fifth” (five scale tones are encompassed in this space - C, D, E, F and G).
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Relative Pitch is the ear's awareness of space between pitches.
ABSOLUTE PITCH TRAINER SERIAL PROFESSIONAL
Good pitch is considered by professional and amateur musicians alike as the most vital factor for success and enjoyment of the “hearing art.” There are two basic perceptions of pitch: Relative Pitch and absolute pitch (or “Perfect Pitch”). Simply put, everything about music is utterly dependent on how well the ear hears.Ī good ear means a good sense of pitch, because music is composed of individual pitches. Even the casual listener can enjoy music only to the extent that his or her own musical awareness permits. A composer likewise can compose only what his or her ear can comprehend. A performer can perform only as effectively as he or she can hear. In the infinite subtleties of music - whether rock, classical, jazz, or other style - the ear must be able to quickly “unlock” the chords and melodies it hears in order to understand and appreciate the music and try to find proper expression for each tone. And the parent or teacher who helps a child to listen becomes responsible for a clearer perception that cannot be bought nor can any amount of musical study ever replace. A child who learns to listen at a young age has a precious advantage which lasts a lifetime. The importance of ear training with respect to music can never be underestimated, because music is a hearing art.Ī child can never start ear training at too young an age, because ear training means simply LISTENING - nothing more, nothing less. < Return to Perfect Pitch Success Storiesįrom our Archives: This page is a reprint of a Suzuki World article written years ago by David Lucas BurgeĮar training is the fundamental practice to establish a basis for skill, knowledge and appreciation in music.
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Suzuki: Absolute Pitch, Perfect PItch & Children